DBX 223XL
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dbx 223XL
Let's take a look at the construction features of the dbx 223XL. As you turn
the controls you will notice that these units are extremely well built.
The controls exude great precision, and the feel is a solid "click". Also, when you open
the box, you won't find the external power supply that accompanies most processors in
this price range. That's because we know how difficult external power supplies can be to
work with and even though it costs a little more, we put the high quality power supply right
in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the
chassis. This connection of the jacks to the chassis insures that even if someone stomps
on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx
crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard.
But then again, what did you expect?
Via a switch on the back panel, you first select whether you're operating your system
Via a switch on the back panel, you first select whether you're operating your system
in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not
you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer
are mono subbed to take advantage of amplifier power and because low frequencies
are non-directional.) Back panel switches allow you to select the range of the
crossover frequencies individually for both channels. The crossover frequency
controls have a green LED that indicates when the x10 switch on the back panel
is activated (we wouldn't make you check the switch position on the back every
time you wonder where it's set). All these switches are on the back panel because
it could be disastrous if you were to change them mid-program. On the front panel
you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode.
Each channel has an input gain control for proper level setting. There's a recessed 40 Hz
low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and
high outputs on each channel have a gain control ranging from -infinity to +6 dB to allow
muting of individual outputs and for level matching. Also, these outputs each have phase
reverse switches that will help get you out of a bind without having to reconfigure your system.
These phase reverse switches may be internally reconfigured as mute switches.
You'll get great performance, all the features you'd expect from a professional product and
You'll get great performance, all the features you'd expect from a professional product and
the knowledge that you're buying a processor from the people that have been producing
the worlds finest processors for over 25 years. The technology that made us famous
brings you a dbx crossover that has been tested to the highest professional standards
at a price that's just too low to admit!
Features Of The dbx 223XL Crossover
Features Of The dbx 223XL Crossover
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
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